Around 1248, the merchants of Flanders submitted a complaint to the French king Louis IX about the malfeasance of customs agents at the Franco-Flemish border at Bapaumes. Among the specific complaints regarding their overreaching exercise of power is the anecdote of a young man from Bruges who was travelling with 28 headless and tailless herrings, […]
Read MoreArchitecture and Material Politics in the Fifteenth-century Ottoman Empire stems from my research on Ottoman architecture, which I began in summer 2014, shortly before the publication of my first book, Rebuilding Anatolia after the Mongol Conquest. That book addresses buildings located in Turkey, which were built for Muslim patrons in the second half of the […]
Read MoreIn the opening to The Decameron (c. 1350), Boccaccio described how the ten young people who would become storytellers in his book met in a Florentine church during the height of the Black Death: “it chanced […] that there foregathered in the venerable church of Santa Maria Novella, one Tuesday morning when there was well-nigh […]
Read MorePeter Brook’s The Empty Space famously begins, I can take any empty space and call it a bare stage. A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.[1] Playing and Playgoing in Early Modern England: Actor, […]
Read MoreOne of the most enriching aspects of working on Clara Schumann Studies was the opportunity to rethink and listen afresh to Schumann’s rich and varied contributions to musical culture in the nineteenth century and beyond. Bound up with the project, the first in the Cambridge Composer Studies series to address a woman, was an enticing […]
Read MoreIn song, the refrain—a portion of text and music repeated between stanzas—gives singers and listeners an opportunity to join together on the most memorable and predictable part of a song. As any singer can attest, refrains are retained in the memory even as the rest of the words and melodies of a song slip away. […]
Read MoreIn his 1997 song, “Ten Crack Commandments,” The Notorious BIG offered some rules to the drug game: I’ve been in this game for years; it made me an animal.There’s rules to this shit; I wrote me a manual.A step-by-step booklet for you to get,Your game on track, not your wig pushed back. These rules have […]
Read MoreThis book represents a first attempt inclusively to map out patterns of liturgical and musical culture across England, Ireland, Scotland and Wales over a 500-year period. Extending from the eve of the Norman Conquest of England in 1066 (and the subsequent Norman Invasion of Ireland in 1169) to the Protestant Reformation under King Henry VIII, […]
Read MoreAround 1248, the merchants of Flanders submitted a complaint to the French king Louis IX about the malfeasance of customs agents at the Franco-Flemish border at Bapaumes. Among the specific complaints regarding their overreaching exercise of power is the anecdote of a young man from Bruges who was travelling with 28 headless and tailless herrings, […]
Read MoreArchitecture and Material Politics in the Fifteenth-century Ottoman Empire stems from my research on Ottoman architecture, which I began in summer 2014, shortly before the publication of my first book, Rebuilding Anatolia after the Mongol Conquest. That book addresses buildings located in Turkey, which were built for Muslim patrons in the second half of the […]
Read MoreIn the opening to The Decameron (c. 1350), Boccaccio described how the ten young people who would become storytellers in his book met in a Florentine church during the height of the Black Death: “it chanced […] that there foregathered in the venerable church of Santa Maria Novella, one Tuesday morning when there was well-nigh […]
Read MorePeter Brook’s The Empty Space famously begins, I can take any empty space and call it a bare stage. A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.[1] Playing and Playgoing in Early Modern England: Actor, […]
Read MoreOne of the most enriching aspects of working on Clara Schumann Studies was the opportunity to rethink and listen afresh to Schumann’s rich and varied contributions to musical culture in the nineteenth century and beyond. Bound up with the project, the first in the Cambridge Composer Studies series to address a woman, was an enticing […]
Read MoreIn song, the refrain—a portion of text and music repeated between stanzas—gives singers and listeners an opportunity to join together on the most memorable and predictable part of a song. As any singer can attest, refrains are retained in the memory even as the rest of the words and melodies of a song slip away. […]
Read MoreIn his 1997 song, “Ten Crack Commandments,” The Notorious BIG offered some rules to the drug game: I’ve been in this game for years; it made me an animal.There’s rules to this shit; I wrote me a manual.A step-by-step booklet for you to get,Your game on track, not your wig pushed back. These rules have […]
Read MoreThis book represents a first attempt inclusively to map out patterns of liturgical and musical culture across England, Ireland, Scotland and Wales over a 500-year period. Extending from the eve of the Norman Conquest of England in 1066 (and the subsequent Norman Invasion of Ireland in 1169) to the Protestant Reformation under King Henry VIII, […]
Read MoreKeep up with the latest from Cambridge University Press on our social media accounts.
Hélène Lecossois is Professor of Irish Literary Studies at Université de Lille, France. Specialising in Irish theatre and performance, Hélène is the author of Endgame de Samuel Beckett (2009), and of various essays in Beckett Today, Études irlandaises, Sillages critiques and the 2014 edited collection Ireland, Memory and Performing the Historical Imagination. She was 2014 recipient of the Moore Institute Fellowship (NUI Galway).
Manchester Metropolitan University
Holly Buttimore is a Humanities and Social Sciences Commissioning Editor for Academic Journals at Cambridge University Press
University of Chester
Heather Hirschfeld is a Professor of English at the University of Tennessee.
Associate Professor in English and Creative Writing, University of Reading
Williams College
Shakespeare’s Possible Worlds
Yeats and European Drama
The History of the Erard Piano and Harp in Letters and Documents, 1785–1959
The Manual of Musical Instrument Conservation
Music and the Exotic from the Renaissance to Mozart
The Cambridge Companion to Jewish Music
The Cambridge Introduction to Theatre and Literature of the Absurd
Michelangelo: The Artist, the Man, and His Times
Vocal Authority
A History of Singing
Opera
Publicist
Senior Inbound Marketing Executive
The Cambridge Companion to American Science Fiction
The Cambridge History of Magic and Witchcraft in the West
Ben Jonson, Volpone, and the Gunpowder Plot
Ovid and Hesiod
The Cambridge Wagner Encyclopedia
Viewing America
To receive updates on Music, Theatre & Art news from Cambridge University Press and Fifteen Eighty Four, please join our email list below. We will not disclose your email address to any third party