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Music, Theatre & Art

Fifteen Eighty Four

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  • 15 Sep 2022
    Sarah M. Guérin

    What have fish to do with Gothic ivories?

    Around 1248, the merchants of Flanders submitted a complaint to the French king Louis IX about the malfeasance of customs agents at the Franco-Flemish border at Bapaumes. Among the specific complaints regarding their overreaching exercise of power is the anecdote of a young man from Bruges who was travelling with 28 headless and tailless herrings, […]

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  • 8 Sep 2022
    Patricia Blessing

    Why Ottoman Architecture? A Research Journey

    Architecture and Material Politics in the Fifteenth-century Ottoman Empire stems from my research on Ottoman architecture, which I began in summer 2014, shortly before the publication of my first book, Rebuilding Anatolia after the Mongol Conquest. That book addresses buildings located in Turkey, which were built for Muslim patrons in the second half of the […]

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  • 16 Jun 2022
    Joanne Allen

    Secular Acts and Bad Behavior in the Italian Renaissance Church Interior

    In the opening to The Decameron (c. 1350), Boccaccio described how the ten young people who would become storytellers in his book met in a Florentine church during the height of the Black Death: “it chanced […] that there foregathered in the venerable church of Santa Maria Novella, one Tuesday morning when there was well-nigh […]

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  • 25 May 2022
    Emma Whipday, Simon Smith

    Playing and Playgoing in Early Modern England

    Peter Brook’s The Empty Space famously begins, I can take any empty space and call it a bare stage. A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.[1] Playing and Playgoing in Early Modern England: Actor, […]

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  • 12 Apr 2022
    Joe Davies

    Schumann Then and Now

    One of the most enriching aspects of working on Clara Schumann Studies was the opportunity to rethink and listen afresh to Schumann’s rich and varied contributions to musical culture in the nineteenth century and beyond. Bound up with the project, the first in the Cambridge Composer Studies series to address a woman, was an enticing […]

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  • 7 Apr 2022
    Mary Channen Caldwell

    Devotional Refrains in Medieval Latin Song

    In song, the refrain—a portion of text and music repeated between stanzas—gives singers and listeners an opportunity to join together on the most memorable and predictable part of a song. As any singer can attest, refrains are retained in the memory even as the rest of the words and melodies of a song slip away. […]

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  • 28 Feb 2022
    Frank Rudy Cooper, Gregory S. Parks

    Notorious B.I.G.’S “Ten Crack Commandments” and Donald Trump

    In his 1997 song, “Ten Crack Commandments,” The Notorious BIG offered some rules to the drug game: I’ve been in this game for years; it made me an animal.There’s rules to this shit; I wrote me a manual.A step-by-step booklet for you to get,Your game on track, not your wig pushed back. These rules have […]

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  • 19 Jan 2022

    Music and Liturgy in Medieval Britain and Ireland

    This book represents a first attempt inclusively to map out patterns of liturgical and musical culture across England, Ireland, Scotland and Wales over a 500-year period. Extending from the eve of the Norman Conquest of England in 1066 (and the subsequent Norman Invasion of Ireland in 1169) to the Protestant Reformation under King Henry VIII, […]

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