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Music, Theatre & Art

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  • 5 Nov 2021
    Ric Knowles

    International Theatre Festivals and 21st-Century Interculturalism

    By the end of the 20th Century festivals were springing up all over the world like mushrooms. Events that used merely to be events had become, in current jargon, “festivalized” as the world experienced the “eventification” of culture, “the experience economy,” “city branding,” and the global emergence of “creative cities” and lucrative urban “festivalscapes” as […]

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  • 3 Nov 2021
    Julia A. Walker

    Performance and Modernity: Enacting Change on the Globalizing Stage

    How do ideas take shape? How do concepts emerge into form? This book argues that they take shape quite literally in the human body, often appearing on stage in new styles of performance. Performance, in other words, is not just a medium through which other arts forms such as music and literature find expression; it […]

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  • 26 Oct 2021
    Joanne Cormac

    Liszt in Context

    Even 135 years after his death, Liszt’s glamour continues to fascinate. He was the rock star of the nineteenth century, women swooning at his feet as he performed the most demanding music of his age with almost supernatural ability. It is a powerful image and one that has inspired many biographies and films. However, that […]

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  • 11 Jun 2021
    Tsung-Han Tsai

    Hearing E. M. Forster

    Most readers recognize E. M. Forster as the early twentieth-century writer who wrote about India; some remember his socially relevant and thematically wide-ranging Edwardian novels and short stories, and a posthumously published novel about male homosexuality. What many might not have known is that, in 1969, Benjamin Britten praised Forster as ‘our most musical novelist’. […]

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  • 12 May 2021

    The Good, the Bad, and the Ugly of Fascist Theatre

    In a passage of A Room of One’s Own, Virginia Woolf reported that Italian men of letters had expressed their hope – in a telegram to il Duce Benito Mussolini – that ‘the Fascist era would soon give birth to a poet worthy of it’. She, for one, was skeptical: ‘The Fascist poem, one may […]

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  • 30 Apr 2021
    Tim Summers, Melanie Fritsch

    Why Write a Cambridge Companion to Video Game Music?

    Though computers have been used to make music since the 1950s, the modern tradition of video game music dates from the 1970s. Game music proper begins with arcade games like Gun Fight (1975), which features a fragment of a Chopin Piano Sonata, and the background ostinato of Space Invaders (1978), which increases in tempo as […]

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  • 22 Mar 2021
    James Grier

    Musical Notation in the West

    Since its invention in the ninth century, musical notation in the West has become an increasingly complex and sophisticated form of symbolic, non-verbal communication. The study of notation in its historical context reveals the strategies through which musicians created innovative solutions for the problem of capturing, in symbols, the sounds that comprise the musics they […]

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  • 2 Mar 2021
    Rebekah Compton

    Venus and the Arts of Love in Renaissance Florence

    Sandro Botticelli’s Birth of Venus is a darling of the art world. The windblown goddess appears on calendars, magnets, aprons, and handbags. At Epcot (Disney Land Resorts), visitors can step inside the painting and pose as Venus – clothing is required! In addition to kitsch reproductions, the Birth of Venus has also inspired original works […]

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