By the end of the 20th Century festivals were springing up all over the world like mushrooms. Events that used merely to be events had become, in current jargon, “festivalized” as the world experienced the “eventification” of culture, “the experience economy,” “city branding,” and the global emergence of “creative cities” and lucrative urban “festivalscapes” as […]
Read MoreHow do ideas take shape? How do concepts emerge into form? This book argues that they take shape quite literally in the human body, often appearing on stage in new styles of performance. Performance, in other words, is not just a medium through which other arts forms such as music and literature find expression; it […]
Read MoreEven 135 years after his death, Liszt’s glamour continues to fascinate. He was the rock star of the nineteenth century, women swooning at his feet as he performed the most demanding music of his age with almost supernatural ability. It is a powerful image and one that has inspired many biographies and films. However, that […]
Read MoreMost readers recognize E. M. Forster as the early twentieth-century writer who wrote about India; some remember his socially relevant and thematically wide-ranging Edwardian novels and short stories, and a posthumously published novel about male homosexuality. What many might not have known is that, in 1969, Benjamin Britten praised Forster as ‘our most musical novelist’. […]
Read MoreIn a passage of A Room of One’s Own, Virginia Woolf reported that Italian men of letters had expressed their hope – in a telegram to il Duce Benito Mussolini – that ‘the Fascist era would soon give birth to a poet worthy of it’. She, for one, was skeptical: ‘The Fascist poem, one may […]
Read MoreThough computers have been used to make music since the 1950s, the modern tradition of video game music dates from the 1970s. Game music proper begins with arcade games like Gun Fight (1975), which features a fragment of a Chopin Piano Sonata, and the background ostinato of Space Invaders (1978), which increases in tempo as […]
Read MoreSince its invention in the ninth century, musical notation in the West has become an increasingly complex and sophisticated form of symbolic, non-verbal communication. The study of notation in its historical context reveals the strategies through which musicians created innovative solutions for the problem of capturing, in symbols, the sounds that comprise the musics they […]
Read MoreSandro Botticelli’s Birth of Venus is a darling of the art world. The windblown goddess appears on calendars, magnets, aprons, and handbags. At Epcot (Disney Land Resorts), visitors can step inside the painting and pose as Venus – clothing is required! In addition to kitsch reproductions, the Birth of Venus has also inspired original works […]
Read MoreBy the end of the 20th Century festivals were springing up all over the world like mushrooms. Events that used merely to be events had become, in current jargon, “festivalized” as the world experienced the “eventification” of culture, “the experience economy,” “city branding,” and the global emergence of “creative cities” and lucrative urban “festivalscapes” as […]
Read MoreHow do ideas take shape? How do concepts emerge into form? This book argues that they take shape quite literally in the human body, often appearing on stage in new styles of performance. Performance, in other words, is not just a medium through which other arts forms such as music and literature find expression; it […]
Read MoreEven 135 years after his death, Liszt’s glamour continues to fascinate. He was the rock star of the nineteenth century, women swooning at his feet as he performed the most demanding music of his age with almost supernatural ability. It is a powerful image and one that has inspired many biographies and films. However, that […]
Read MoreMost readers recognize E. M. Forster as the early twentieth-century writer who wrote about India; some remember his socially relevant and thematically wide-ranging Edwardian novels and short stories, and a posthumously published novel about male homosexuality. What many might not have known is that, in 1969, Benjamin Britten praised Forster as ‘our most musical novelist’. […]
Read MoreIn a passage of A Room of One’s Own, Virginia Woolf reported that Italian men of letters had expressed their hope – in a telegram to il Duce Benito Mussolini – that ‘the Fascist era would soon give birth to a poet worthy of it’. She, for one, was skeptical: ‘The Fascist poem, one may […]
Read MoreThough computers have been used to make music since the 1950s, the modern tradition of video game music dates from the 1970s. Game music proper begins with arcade games like Gun Fight (1975), which features a fragment of a Chopin Piano Sonata, and the background ostinato of Space Invaders (1978), which increases in tempo as […]
Read MoreSince its invention in the ninth century, musical notation in the West has become an increasingly complex and sophisticated form of symbolic, non-verbal communication. The study of notation in its historical context reveals the strategies through which musicians created innovative solutions for the problem of capturing, in symbols, the sounds that comprise the musics they […]
Read MoreSandro Botticelli’s Birth of Venus is a darling of the art world. The windblown goddess appears on calendars, magnets, aprons, and handbags. At Epcot (Disney Land Resorts), visitors can step inside the painting and pose as Venus – clothing is required! In addition to kitsch reproductions, the Birth of Venus has also inspired original works […]
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Hélène Lecossois is Professor of Irish Literary Studies at Université de Lille, France. Specialising in Irish theatre and performance, Hélène is the author of Endgame de Samuel Beckett (2009), and of various essays in Beckett Today, Études irlandaises, Sillages critiques and the 2014 edited collection Ireland, Memory and Performing the Historical Imagination. She was 2014 recipient of the Moore Institute Fellowship (NUI Galway).
Manchester Metropolitan University
Holly Buttimore is a Humanities and Social Sciences Commissioning Editor for Academic Journals at Cambridge University Press
University of Chester
Heather Hirschfeld is a Professor of English at the University of Tennessee.
Associate Professor in English and Creative Writing, University of Reading
Williams College
Shakespeare’s Possible Worlds
Yeats and European Drama
The History of the Erard Piano and Harp in Letters and Documents, 1785–1959
The Manual of Musical Instrument Conservation
Music and the Exotic from the Renaissance to Mozart
The Cambridge Companion to Jewish Music
The Cambridge Introduction to Theatre and Literature of the Absurd
Michelangelo: The Artist, the Man, and His Times
Vocal Authority
A History of Singing
Opera
Publicist
Senior Inbound Marketing Executive
The Cambridge Companion to American Science Fiction
The Cambridge History of Magic and Witchcraft in the West
Ben Jonson, Volpone, and the Gunpowder Plot
Ovid and Hesiod
The Cambridge Wagner Encyclopedia
Viewing America
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