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  • 25 May 2022
    Emma Whipday, Simon Smith

    Playing and Playgoing in Early Modern England

    Peter Brook’s The Empty Space famously begins, I can take any empty space and call it a bare stage. A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.[1] Playing and Playgoing in Early Modern England: Actor, […]

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