Cambridge Studies in Opera

Fifteen Eighty Four


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  • 2 Apr 2019
    Hugh Macdonald

    Saint-Saëns and the Stage

    Ever since I developed a passion for French music and started working on Berlioz and then Bizet, I was constantly aware of the formidable figure of Saint-Saëns at the end of the nineteenth century, contributing to every branch of music and regularly heard in concert halls and, thanks to Samson et Dalila, in opera houses […]

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