Tag Archives: Twentieth-Century Music
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Graham Griffiths
It was in April 2014, I think, when I first exchanged the comforts of the Bodleian Library (Oxford) for the Baltic, and that razor-sharp wind on St Petersburg’s river Neva (accent on VA, if you please). My modest hotel room, in Pushkin-esque décor, was in the poet’s former residence on the Angliskaya Naberezhnaya, the English […]
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Penny Souster, Vicki Cooper, Kate Brett
Arnold Whittall, Professor Emeritus at King’s College, London, is one of the most respected figures in CUP’s music list. His publishing record with the Press is immense, and spans nearly forty years. But it is above all his editorship of Music since 1900, and its precursor series Music in the Twentieth Century, which arguably constitutes […]
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Daniel Elphick
The fraught atmosphere of surveillance and intimidation has long made twentieth-century Russian music a fascinating area of study. Music audiences, performers, and scholars alike have been engrossed by the all-too recent time when the state directly interfered in matters of music-making and composers lived in fear. The Soviet Union was larger than just Russia, of […]
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Holly Buttimore
Cambridge University Press is delighted to announce the appointment of Alejandro L. Madrid as co-editor of Twentieth-Century Music, joining co-editor Pauline Fairclough from January 2019. Since 2013, Alejandro has been professor of musicology and ethnomusicology at Cornell University’s Department of Music; before that, he was in the faculty of the Latino and Latin American Studies […]
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Graham Griffiths
It was in April 2014, I think, when I first exchanged the comforts of the Bodleian Library (Oxford) for the Baltic, and that razor-sharp wind on St Petersburg’s river Neva (accent on VA, if you please). My modest hotel room, in Pushkin-esque décor, was in the poet’s former residence on the Angliskaya Naberezhnaya, the English […]
Read More
-
Penny Souster, Vicki Cooper, Kate Brett
Arnold Whittall, Professor Emeritus at King’s College, London, is one of the most respected figures in CUP’s music list. His publishing record with the Press is immense, and spans nearly forty years. But it is above all his editorship of Music since 1900, and its precursor series Music in the Twentieth Century, which arguably constitutes […]
Read More
-
Daniel Elphick
The fraught atmosphere of surveillance and intimidation has long made twentieth-century Russian music a fascinating area of study. Music audiences, performers, and scholars alike have been engrossed by the all-too recent time when the state directly interfered in matters of music-making and composers lived in fear. The Soviet Union was larger than just Russia, of […]
Read More
-
Holly Buttimore
Cambridge University Press is delighted to announce the appointment of Alejandro L. Madrid as co-editor of Twentieth-Century Music, joining co-editor Pauline Fairclough from January 2019. Since 2013, Alejandro has been professor of musicology and ethnomusicology at Cornell University’s Department of Music; before that, he was in the faculty of the Latino and Latin American Studies […]
Read More
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