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Tag Archives: Opera Studies

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  • 5
    Feb

    2020

    Who Benefits?

    What can musical benefits tell us about the ecology of performance in eighteenth-century Britain? Why did musical benefits become such an integral part of a performer’s work in the eighteenth century?...

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  • 2
    Apr

    2019

    Saint-Saëns and the Stage

    Ever since I developed a passion for French music and started working on Berlioz and then Bizet, I was constantly aware of the formidable figure of Saint-Saëns at the end of the nineteenth century, contributing...

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