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Why does art even have a history, asked Ernst Gombrich in his classic book Art and Illusion? We might suppose, for instance, that everyone’s pictures would be different, a stylistic jumble resulting from varying competencies, individual desires, local preoccupations. Or to the contrary, we might assume that they would be basically the same, the way […]
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In this blog post Victoria Aarons, editor of The Cambridge Companion to Saul Bellow, details some of the key themes and concepts explored in Bellow's work.
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