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Let’s imagine, having read four sonnets published in the radical weekly, The Examiner, by young poet John Keats, seeing the announcement of John Keats’s first volume Poems (published 3 March 1817), and then, on the very next day, reeling when a reactionary ministry secured the Habeas Corpus Suspension Act. Lord Sidmouth gave the bill to […]
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Vǫluspá (The Seeress’s Prophecy) cycles through the memories and prognostications of an unnamed female prophetess who has witnessed the whole history of a legendary world, and culminates in a baleful account of ragna rök – Wagner’s Götterdämmerung, ‘the downfall of the gods’. It was then, she foretold, that the sun and moon would vanish from […]
Read MoreThe recent death of Derek Walcott, the most famous postcolonial poet, has been an enormous loss to poetry lovers around the world. The elegiac ending to his long poem Omeros came to mind: “I sang of quiet Achille, Afolabe’s son,” he says of his epic hero, an Afro-Caribbean fisherman “who never ascended in an elevator, […]
Read MoreI wrote Yeats and Modern Poetry because I think that W.B. Yeats (1865-1939) did more than any other poet to create something we recognise as ‘modern poetry’. Without Yeats, there might not be a ‘poetry month’ today. For me, T.S. Eliot is a much more academic poet than Yeats – which explains why Eliot is […]
Read MoreCelebrate National Poetry Month with Cambridge University Press! In this blog post editor and poet Gerry Dawe discusses his forthcoming book The Cambridge Companion to Irish Poets.
Read MoreIt seems only fitting at the start of National Poetry Month to think about what the art form that it celebrates might offer us at this moment in 2017. Two key figures in the last 75 years of American poetry – they feature prominently but also somewhat controversially (more on that below) in The Cambridge […]
Read MoreCelebrate National Poetry Month with Cambridge University Press! In this blog post editor Walter Kalaidjian discusses The Cambridge Companion to Modern American Poetry.
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