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Arnold Whittall, Professor Emeritus at King’s College, London, is one of the most respected figures in CUP’s music list. His publishing record with the Press is immense, and spans nearly forty years. But it is above all his editorship of Music since 1900, and its precursor series Music in the Twentieth Century, which arguably constitutes […]
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What can musical benefits tell us about the ecology of performance in eighteenth-century Britain? Why did musical benefits become such an integral part of a performer’s work in the eighteenth century? How similar were benefits for performers to those for charities? What did musical benefits look like across Britain, in comparison with those in London? […]
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Cambridge University Press is delighted to announce the appointment of Alejandro L. Madrid as co-editor of Twentieth-Century Music, joining co-editor Pauline Fairclough from January 2019. Since 2013, Alejandro has been professor of musicology and ethnomusicology at Cornell University’s Department of Music; before that, he was in the faculty of the Latino and Latin American Studies […]
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